It is one in which he doesn't really want it to end, but is so totally helpless to "get it back to where we lasted". Jemima/Sillabub's part ranges from Eb4 to F5, and is sung with the head voice.A guy and a girl are "coming out" of a relationship. Grizabella's vocals span from G3 to Eb5 and her part is meant to be sung with the chest voice. As the bridge comes to an end, the orchestra shifts to the Db major key as Grizabella belts the climax of the song ("Touch me!"). The song is primarily composed in the key of Bb major, but when Grizabella collapses mid-way, the orchestra begins playing half a verse in Gb major before Jemima/Sillabub begins her bridge and Grizabella joins in, one octave apart. Each verse begins with a chord progression of Bb-Gm-Eb-Dm. It has a loose tempo ("freely") of around 50 beats per minute. The song is primarily set in the 12/8 time signature, shifting meters to 10/8 and 6/8 throughout its duration. "Memory" is a sentimental ballad intentionally written in the style of Puccini. Her ground bass line is played twice, before the Bb major arpeggios that open "Memory" begin. This "Single Version" is not actually performed in the musical itself, although it is sometimes used in lieu of the stage version in cast recordings because it is more "radio-friendly".Īs Grizabella enters, her familiar ground bass motif strikes up in Bb minor, setting the dark and gloomy mood. The version of the song popularised by hundreds of recording artists uses lyrics from both Act 1 "Memory" and this longer number. Excerpts from Eliot's poems and Nunn's "Memory" Tim Rice was initially brought in to provide the lyrics but his version was considered too dark, so instead Trevor Nunn wrote his own lyrics that draw on imagery and text from T S Eliot's poems "Rhapsody on a Windy Night" and "Preludes", both from Prufrock and Other Observations (1917). It was hearing the melody of the song that persuaded Elaine Paige to accept the role of Grizabella. "Memory" was written rather late in the development of the show, with the final version only completed during previews for the original London production. By the end of the song, everyone understands her plight, and she is finally accepted by everyone, and escorted by Old Deuteronomy "Up, Up, Up to the Heaviside Layer". Again Jemima/Sillabub sings with her, the first of the Cats to understand her. Memory lyrics full version#This is Grizabella's last chance to be accepted, and although again met with hostility from the tribe, she sings again, the full version of "Memory". Suddenly, Grizabella appears on stage once more. The next iteration of the "Memory" melody is at the beginning of Act 2, after Old Deuteronomy sings " The Moments of Happiness", Jemima/ Sillabub sings:įinally, Old Deuteronomy comes to choose the cat to be taken to the Heaviside Layer. Although Old Deuteronomy has been watching, he is too far away to reach out to her, and she leaves with what little pride she has remaining. She sings a single verse of "Memory", and reaches out for anyone to touch her. She is left alone to contemplate her memories of the time when she was a part of the Jellicle tribe. Once the other Cats leave the stage, Grizabella begins to copy their dance moves, but alone and frail, she cannot capture the magic of the Ball. The audience has already been introduced to Grizabella by Bombalurina and Demeter in " Grizabella: The Glamour Cat", and during " The Jellicle Ball", Grizabella is seen watching the Cats. After they finish, she approaches and tries to join them, but is rejected. The song "Memory" is first heard in a short version at the end of Act 1.
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